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You are putting the wrong argument to this situation. C. Tolkein is obviously far less concerned regarding the financial situation 'to control and profit off the work of a long-dead man' (in your words) and far more concerned with the disneyfication of the stories and characters. This come across pretty strongly in the article, for example he says "The commercialization has reduced the aesthetic and philosophical impact of the creation to nothing".

The way he chooses to pursue this is denying/restricting crappy productions as far as possible.

I happen to agree that Tolkeins books were quite special and the films pretty run-of-the-mill. I'm not so sure thats a big problem, or one that can be solved using copyright to block other interpretations, however I am sure the primary intent is not monetary.




I understand that he's not primarily concerned with money, but I still think that after a certain, comparatively short amount of time after the creator's death, IP should be released to the public. If the public wants to Disnify it, then so be it; the originals are still around for the rest of us to enjoy. Actually I think this perspective was how copyright was first imagined--it was only recently made outrageous by corporations like Disney.

C. Tolkien seems to disagree, and his desire for complete control over books he didn't even write seems to be both stifling genuine re-imaginings of modern classics by a long-dead author, and making him fairly unhappy.

I'm picking on Tolkien but obviously this applies to a huge amount of IP out there that's in a similar situation.


I broadly agree with you on issues of IP, but just think your characterization of this case (especially of the intentions of C. Tolkein) was off, and that your general argument is probably stronger for other cases of IP rather than this particular one.


"The commercialization has reduced the aesthetic and philosophical impact of the creation to nothing"

He is wrong but it certainly looks like that.

You don't have to care for the commercialization of the stuff and Happy Meals with Hobbit toys. The aesthetics and philosophy are still there.




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