I fully agree here. I want to be part of an audience, and as part of that audience I always look at the human development of the things to share - artifacts in the case of fine art, or experiences in the case of performative art. The artist will always be more important than their work to me.
I don't want to carry mechanical solutions labelled culture - deterministic enough, despite hallucinations - into the next generation that follows my own. It's an impressive advancement for automation, sure, but just not a value worth sharing as human development.
That being said, I think GenAI could be a valuable addition in any blueprint-/prototype-/wireframing phase. But, ironically, it positions itself in stark contrast to what I would consider my standards to contemporary brainstorming, considering the current Zeitgeist:
- truthful to history and research (GenAI is marketing and propaganda)
- aware of resources (GenAI is wasteful computing)
- materialistic beyond mere capitalistic gains (GenAI produces short-lived digital data output and isn't really worth anything)
I don't want to carry mechanical solutions labelled culture - deterministic enough, despite hallucinations - into the next generation that follows my own. It's an impressive advancement for automation, sure, but just not a value worth sharing as human development.
That being said, I think GenAI could be a valuable addition in any blueprint-/prototype-/wireframing phase. But, ironically, it positions itself in stark contrast to what I would consider my standards to contemporary brainstorming, considering the current Zeitgeist: