> if you want to improve on it, you’re probably going to have to come up with radical changes
Yeah, that’s sort of related to my point. Like, Colemak and Dvorak are theoretically (and practically, with enough practice) better than qwerty, but they don’t need to just be better, they need to be so much better that people will throw all the investment in qwerty away.
Yeah, that’s sort of related to my point. Like, Colemak and Dvorak are theoretically (and practically, with enough practice) better than qwerty, but they don’t need to just be better, they need to be so much better that people will throw all the investment in qwerty away.
Sheet music feels the same.