> Kinda but also true that most long pieces have one or two movements that are the popular ones and you have to wait till you get to it.
Is it by design? Was the composer aware that a certain part would end up being that one exceptionally popular one?
The probabiliy that a part not at the beginning is (becomes) popular is higher than for the part at the beginning, because there's more parts not at the beginning than the one at the beginning.
Is it by design? Was the composer aware that a certain part would end up being that one exceptionally popular one?
The probabiliy that a part not at the beginning is (becomes) popular is higher than for the part at the beginning, because there's more parts not at the beginning than the one at the beginning.