Then why spend the money to get the rights to a known series at all? Make up a new IP in Generic Medieval Fantasy Land with lavish production values. No licensing or contract renewal fees, and you don't upset any existing audience.
Because the movie trilogy was extremely successful and is associated with great production value by a whole generation?
Don’t get me wrong I wish Amazon had the courage to just put 500 millions of dollar on completely new IP but that’s just not how American entertainment companies work.
For Lord of the rings, it's also wise generational timing (akin to Star Wars episodes 1 and 7).
The Fellowship of the Ring (film, 2001) is just over 20 years old, which creates, now, 25-45 year olds significant childhood nostalgia, just in time for them to be able to show their ~5-15 year old children (in their most formative years)
Is that really true? If I saw any fantasy or sci-fi series that didn't derive from a book or comic series I'd take off work to binge it. I'm so tired of regurgitation. A known writer's name attached would me me run rather than walk to the remote.
It's really true. How often do you hear about Upload, an ongoing non-adaptation scifi series run by the guy who produced The Office and Parks and Rec? Or The Orville, a non-adaptation space exploration show from the Family Guy guy?
Upload got good numbers. Stranger Things was extremely successful. I remember a period when everyone was talking about Dark a few years ago. Original stories can be extremely well received with the right marketing push.
Upload is brilliant! I talk about it at work, but I confess no one has ever spoken to me about it. You may have a point. Is it a sunk cost thing, where having spent the money on IP they market it heavier? The Norwegian thor on netflix was really good too. But its low buget so I figured they just don't push it as hard? Why do people really care that much about name recognition?
