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> I’m not sure I’d actually call it the Best Film Ever

Most critics would, though. And I've never heard that its importance is in any way tied to its production. Welles took film from "filmed stage plays" and literally opened up the genre. He ripped up floorboards to get the right perspective. He innovated direction right and left.

The only aspect of the film being about Hearst was that its debut was canned, distribution was shot, and he would never (really) be allowed to make another film again.



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