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Presumably musicians/composers using purely electronic tools such as abletron live have no problem asserting copyright already.


The musican has to cut a CD or something phyiscal.

https://www.tunecore.com/guides/copyrights-101 the first paragraph is:

> For a work to be “copyrightable,” it must be original and fixed in tangible form, such as a sound recording recorded (affixed to) on a CD or a literary work printed (affixed to) on paper.


is a hard drive not a tangible form? Come to think of it, so is a brain, and everything else capable of storing information. That language is atrocious.


It’s about “permanence”, not being able to copyright a live performance that wasn’t recorded for example. It just means you need to be able to distribute / replay the recording, and that means using one of the current common audio technologies.


It made a lot more sense when it was originally written.




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