For me it was Wig, Leo, and Sam as I was in the UK at that time. I jumped onto Hasselblad when I discovered the 200 series could shoot up to 1/2000 meaning I could ditch all my lights and still shoot medium format. Most of the stuff I shot prior to that isn't on my site because, TBH, it wasn't any good.
I was one of the original users on SBP, you probably knew me under a different username. I had stuff run in the mags with the original 1D, mostly postage stamp sized sequences. I remember the ongoing arguments about the pros/cons of using the 1D with its 1.3x crop on the fisheye.
For me shooting film is now mostly about 4x5. My medium format bodies have been used for projects I started back in the last decade. I'm waiting on the price of the new CFV II 50c from Hasselblad to see if I keep or ditch my existing V series bodies and lenses.
I was one of the original users on SBP, you probably knew me under a different username. I had stuff run in the mags with the original 1D, mostly postage stamp sized sequences. I remember the ongoing arguments about the pros/cons of using the 1D with its 1.3x crop on the fisheye.
For me shooting film is now mostly about 4x5. My medium format bodies have been used for projects I started back in the last decade. I'm waiting on the price of the new CFV II 50c from Hasselblad to see if I keep or ditch my existing V series bodies and lenses.