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This. And I think everyone who works with pro audio is stuck with, "Well, where else are we supposed to go?" We'd switch platforms tomorrow if we thought we had a better option.

It's also important to understand the context. We spend thousands of dollars on near-field monitors, cables, interfaces, and other kinds of external hardware. If it's a fully rigged up studio, we're talking millions. The "Apple tax" is not really an issue for us, because it's one of the least expensive purchases in our tool chain. I own plugins that are more expensive than the laptop I use to run them.

Edit: You could argue that the people who are really getting burned here are the "prosumer" bedroom producers. That has to be put in quotes, because some of these "bedroom" folks are basically pro-level producers. I'm sure there are lots of people running USB 2.0 interfaces for an in-the-box rig with Ableton or whatever. They are paying the Apple tax, and they deserve way better.



> I own plugins that are more expensive than the laptop I use to run them.

For anyone curious about this statement, allow me to introduce you to Vienna Symphonic Library. It's the industry standard virtual orchestra, it's used by the vast majority of professional composers and a license for the complete library costs $14,332. We're not talking about a desperately price-sensitive market.

https://www.vsl.co.at/en/VI_Series/VI_Super_Package


You and the parent both "get it." I just hope that Apple gets it before it is too late.




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