We also typically value things that are not tied to productivity/output, like product quality/reliability, security, and our own agency.
I want to be free to read, write, run, and share code, now and in the future. Relying on centralized services to do it for me (by extracting knowledge from countless other people) is certainly not a resilient strategy.
This article's from 2021. Does anyone know if there are elements (no pun intended) of this classification of element origins that's impacted by those JWST observations of complex early galaxies?
Uhhh no, it's a huge net loss because the cost of sending it to the GPU and back greatly exceeds the cost of just doing it then and there in CPU; even on iGPU the kernel launch latency etc will kill it, and that's assuming the kernel build is free. Not to mention this is doing pow calls (!!), which is so ridiculous it makes me wonder if this was a kneejerk AI prompt.
Another post in this thread mentioned V8 sped this up by removing a buffer copy; this is adding two buffer copies, each about an order of magnitude slower.
Uhhh, go for it? You're welcome to link anything you like of course, but do you maybe want to address my actual points if you have any objections? Let's do some measurements, it sounds like you might be surprised by the outcome.
Web browser in a shader also sounds extremely inefficient, for obvious fundamental reasons.
Sorry, I was cracking a joke about the browser in a shader.
The GLSL I originally posted is from the "cursed mode" of my side project, and I use it to produce a data URI of every frame, 15 times per second, as a twisted homage to old hardware. (No, I didn't use AI :P )
This cube is the "inverse table" used to map colors to a palette. The animated regions are tints and shades of pure red, green, and blue. Ideally, this cube would be a voronoi diagram, but that would be prohibitively expensive for Macs of the late eighties. Instead, they mapped the palette colors to indices into the table, and expanded the regions assigned to those colors via a simultaneous flood fill, like if you clicked the Paint Bucket tool with multiple colors in multiple places at the same time. Except in 3D.