I like react because it gives you escape hatches like this. You can take a range of approaches, starting with simple and declarative, only moving to gross and performant if required.
I think anybody using this term has a shallow understanding of network security and just bundles it all mentally into a “thing” that stops all the bad stuff from happening.
I think they have totally different goals typically. For example, let’s say we are doing a sampling procedure. How do you estimate the sampling error? I’m not aware of a machine learning technique that will help, but you can use Bayesian and MCMC techniques
You haven't pointed out anything specific to FR4, which is what this would be replacing. This is merely a ploy at getting funding, and I'm very skeptical about it because I've seen 2 or 3 companies do the exact same pitch and fail before.
Just for anyone reading this and wondering what the dependency footprint of React is:
- React-DOM has one runtime dependency (a cooperative scheduler)
- React itself has no runtime dependencies
It's possible the poster above is referring to build time dependencies. This is harder to assess because there are several options. For example, if compiling JSX using TypeScript, this adds only one more dependency.
I think that it doesn't mean "art" but also has "crafts", and the labour that comes with it, in it. You wouldn't call a 'tech-nician' an 'artist', but "tech" is the part of that "ΤΕΧΝΗ". ("ΤΕΧ" being translated/converted to "TECH").
I would put thins in a sequence and say (1) Imagination, (2) Implementation. I bring over a TECHnician to assess the damage in the plumbing-stuff-thingies, and he/she will use (1) imagination to come up with the solution, and (2) pull out his/her tools and fix the darn thing. Now.. the 50yo guy with low cut jeans flashing a hairy butt-crack from under the kitchen sink, is not an 'artist' (in its typical/expected format - painter, sculptor, etc.) but he will use imagination (and/or experience) to fix the thing. Just as a painter would use the imagination (and/or experience in the types of paper/canvas/oil paint/water paint/etc.) to make one-more-painting (I am thinking for the similarities of Van Gogh's starry night, and similar paintings)
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