24fps - these days - is less about technology and more about standards and aesthetic. There are plenty of reasons why films have been shot in 24fps for the past handful of decades.
When you start increasing that in YOUR film, you lose a sense of familiarity in your audience and their (subconcious) willingness for suspension of disbelief probably goes away with it.
> There are plenty of reasons why films have been shot in 24fps for the past handful of decades.
Really? I don't see any tangible reason why a low framerate would be superior to a higher one. Even on a very basic level high framerate is superior to low framerate and 24 is well...the absolute minimum.
> Really? I don't see any tangible reason why a low framerate would be superior to a higher one.
Bandwidth and data transfer, for example - also many devices eat through battery like nothing else when you feed them with high-framerate stuff, and old-ish TVs may not support high-framerate material properly.
When you start increasing that in YOUR film, you lose a sense of familiarity in your audience and their (subconcious) willingness for suspension of disbelief probably goes away with it.