In case anyone accuses you of not comparing like to like, even a contemporary Bulova commercial is much more similar to the latter than the former:
https://youtu.be/trp7p634qAU?si=fGvyxHp_cayuw5xa
I'm not sure it is valid to use the first ad ever as a basis for comparison. At this time it was a novelty to even have a television – of course an incredibly basic ad would work. And how much do you think they had to pay for an ad on a very new technology? I doubt much.
The article did not do it for you. Do not apologize and thanks for sharing why he did not do it for you. It did not do it for me neither, for other reasons (I don't care that much about code, as a non-coder)
Not aiming at you specifically, but I am tired of seeing shitty behaviour that is dismissed as best as incompetence. I do not want to believe someone becomes the CEO of one of the strongest organization on earth without a strategy sixth sense. So, why would he be shoving AI everywhere ? What does he know that we don't about it ? Is it just plan surveillance ?
Working 8 years to get to more than 100,000,000 $ and saying no to that...Maybe I'm just too poor to understand that.
Sure, this is hackernews, so the hustle mindset is stronger here, but the difference you could make in others people lives just with 10 % of that...
I mean, you could house, feed or educate people and you chose to...not do that ? To have more ? Is there a endgame you are not sharing with us, a special number that would make it OK to sell ?
Sora's app has a 4.8 rating on the app store with 142K rating. It seems to me that the market does not care about slop or not, whether I like it or not.
I don't understand why you're being downvoted, you're not wrong. I think Suno being successful bums me out, I really hate it, but people that are not me love it. I can't do anything about that.
Maybe not now. I imagine it'll go the way of many other things: buy demand with a product that beats alternatives in perceived quality and/or cost -> create a dependence on the product -> wait for the death of competition -> monetize heavily on a dependent userbase.
I was looking for some synths for my less-than-two-years kid, after seeing their face light up when I fiddle with my Lofi 12 XT in front of them.
I had all these criterias :
-Something without any screens
-Something simple enough
-Something that could withstand some rough play
I looked and looked, was considering proper Aira Compact synths, but ended up with the antiquity of the Bliptronic 5000 from Thinkgeek.
https://youtu.be/6rCfhF-fNb4
They love it, the buttons are beyond fun to them, but the knobs are quite hard to turn for a little kid (1st world problem, I know)
I felt they were too young for a Blipbox, and I also bought an Orba 2, we'll see how that one goes.
But I dreamed of such a device, with easy to turn knobs, and colorful display, something simple to modulate sounds and just hear melodies. Seeing how you created it is both inspiring and discouraging, as someone with limited free time and electrical knowledge, but, you never know !
>And I suspect that it is becoming increasingly difficult to find original ideas.
That is a bias in itself, as originality should naturally grow with the number of people alive. The best time to catch one in a million ideas should be when we are more and more billions, no ?
No, they are different things. Physicists of today are technically much better than those of 50 years ago; basketball players, soccer players, musicians, they are all better, on average, than their colleagues of decades ago, for obvious reasons.
I was imprecise when using the term "creativity"--what I wanted to say is that the human experience is varied but not infinite. How many more Mission Impossible, special agent, whatever, can be perceived as "original"?
The interesting part of the James Bond movie is who is the next Bond, the costume, maybe the Bond-girl or the location, but the plot is of very little interest; it is all already watched.
I have seen 2,000 kidnappings in movies, one million people dying in all sorts of ways (and never seen a shooting irl), I don't know how many affairs, failed marriages, aliens coming and going I have watched; it becomes increasingly difficult over time to propose plots and ways of narrating that don't evoke a "already seen" feeling.
After the peplum films of the 1950s, there was a hiatus in terms of ancient Rome settings. Then came Gladiator, Rome, and Spartacus, which were exciting. Now, when you watch Gladiator 2, it feels like you've seen it before, at least to me. Maybe if they stopped making these films for a couple of decades, they would become novel again.
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